Trump’s attacks on the ‘Blacksonian’ have a history in a century-old myth | The Guardian

Trump’s attacks on the ‘Blacksonian’ have a history in a century-old myth

By Saida Grundy

The United Daughters of the Confederacy set out to make slavery respectable again by promoting ‘the lost cause’

Sat 23 Aug 2025 07.00 EDT

It should surprise no one that former cast members from reality shows that ran for more than 15 seasons are running out of new material.

Days ago, Donald Trump, former star of NBC’s The Apprentice and current US president, posted a lengthy Truth Social rant in which he (again) threatened the country’s leading cultural institutions to adhere to his political ideology. The target was one he has had in his crosshairs before – the Smithsonian’s National Museum of African American History and Culture (NMAAHC) – which Trump called “OUT OF CONTROL” in his post. “Everything discussed [in NMAAHC exhibits] is how horrible our Country is, how bad Slavery was,” Trump unloaded. “WOKE IS BROKE,” he continued through his customary use of all caps and misplaced capitalization of common nouns. “We have the HOTTEST Country in the World, and we want people to talk about it, including in our Museums.”

The tirade left many wondering what exactly Trump saw as the upsides of slavery, but also where they had previously heard this recycled talking point. The comment seemed to echo comments made just days prior by his fellow reality show bully Jillian Michaels, a former trainer on NBC’s The Biggest Loser, the weight-loss competition show that launched alongside The Apprentice in 2004. Michaels had been making her rounds in media and public appearances, rebranding from verbally abusive fat shamer to Maga influencer.

On CNN’s NewsNight, the host Abby Phillips moderated a roundtable discussion on Trump’s months-long overreach into cultural institutions such as the Kennedy Center and the NMAAHC. Michaels hijacked the conversation into a lament about slavery’s prominence in the massively popular museum’s displays on US history. “[Trump] is not whitewashing slavery, he’s not,” Michaels said. “You cannot tie slavery to just one race, which is what every single exhibit [at NMAAHC] does.” Turning towards the representative Ritchie Torres, who was seated beside her, Michaels unloaded popular far-right talking points. “Do you realize that only less than 2% of white Americans owned slaves?” she continued. “Do you realize slavery is thousands of years old? Do you know who was the first race who tried to end slavery?”

Torres’s interjections that slavery was a system of white supremacy, not a set of individual white acts, went unaddressed by the TV star. (From 20% to 50% of the white population in southern US states owned enslaved people, and all white people nationwide benefited from slavery’s racial order. Michael’s false claims prompted Phillips to later post a public correction.)

The tirade was an escalation of Trump’s previous open declarations to “restore truth and sanity to American history”, an effort to overhaul exhibits and installations across federally operated museums and galleries and politicize their content, with the NMAAHC locked squarely in the administration’s sights for what it called “corrosive ideology”. Previous edicts about the museum, lovingly nicknamed “The Blacksonian” by many of its patrons, had not specifically identified slavery as the White House’s gripe. But Trump’s Truth Social post more directly reflected a return to a century-old tactic to minimize chattel slavery as “not that bad”.

Continue/Read Original Article Here: Trump’s attacks on the ‘Blacksonian’ have a history in a century-old myth | Saida Grundy | The Guardian